Japan

East Asia

Japan is the world's fourth-largest recorded-music market per IFPI 2026, yet the top of the chart is over 90% domestic. Billboard Japan Hot 100 sits on idol groups in the Johnnys / STARTO and Nogizaka46 lineage, solo artists like Kenshi Yonezu and Ado, bands like King Gnu and YOASOBI, and anime tie-ins that cycle in and out depending on what's airing. Taylor Swift was reportedly the only foreign act on Japan's IFPI Top 20 albums for 2025. The Anime-driven side of the chart has only gotten stronger.

Top domestic tracks

Top foreign tracks

Generational / regional / economic split

Women in their teens and twenties split fairly evenly between K-pop and anisong, while younger men polarize between Japanese hip-hop and visual-kei rock. Middle-aged listeners stay with long-career mainstream artists like Arashi, Masaharu Fukuyama and Kenshi Yonezu, plus enka and kayokyoku as karaoke staples. Big cities have absorbed more K-pop and Western pop — Taylor Swift and Sabrina Carpenter in particular — while smaller cities and rural areas remain even more domestic-leaning. City pop's overseas revival is still mostly a foreign phenomenon rather than something the Japanese chart reflects.

Sources

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